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My Brother's War
Jessica HInes

With her photo essay, My Brother’s War, Jessica Hines attempts to gain a better understanding of what happened to her brother, Gary, when he was a soldier in the American war in Viet Nam. Drafted, he served two years and returned home a victim of Post Traumatic Stress Disorder. Ten years later, he took his own life.

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"A remarkable photobook that conveys an important political message as well as the compelling story of a personal tragedy that confronts some difficult, universal truths."

Jim Casper

 

Touchless Automatic Wonder
Lewis Koch

For more than 20 years, photographer Lewis Koch has collected fragments of found text from all over the world with his camera. After several years as an innovative web project, the best of his collection is now compiled in an excellent new photobook — guaranteed to make you smile.

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"I like seeing things and I like words. There is something revelatory about the two together, an almost pentecostal feeling of seeing in tongues.

Lewis Koch



Daughters
Margaret M. de Lange

Two young Norwegian sisters appear to be creatures of Scandinavian folklore in this series of photos made over several years by their mother, Margaret M. de Lange. Dark and moody, sometimes carefree, sometimes menacing or dreamlike, these photos represent memories, fantasies, and realities of Norwegian childhood during the brief but sweet summer months.

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“we view the daughters, captured as they linger in a hazy half-darkness, in that time between day and night and an age between child and adult, exploring, discovering, and experiencing all of those little adventures which amount to growing up."

Foley Gallery



 
 

Recollections
Philip Jones Griffiths

Philip Jones Griffiths (1936–2008) is remembered as one of the most influential photographers of the Vietnam conflict. This big, beautiful book brings together his photographs of life in Great Britain from the 1950s through the 1990s.

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"With an uncanny sense of composition, timing, and point of view, Griffiths photographed coal miners in Wales, the Beatles in Liverpool, soldiers in Northern Ireland, and anti-war protests on the streets of London. Griffiths’ pictures depict everyday life and landmark political events over three decades of change and upheaval in Great Britain."

Jim Casper

 

Not Niigata
Andrew Phelps

American photographer Andrew Phelps turns his camera on life in a Japanese city in this new book that combines traditional and modern imagery with a lingering sense of alienation in a strange land.

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"My way of working is a bit like making a poodle or a swan out of a shrub. Small bits of the mess are snipped away until some sort of form starts to take shape. (…) In the end if all goes well, I end up with something that may slightly resemble a poodle or a swan. But it’s definitely neither a poodle or a swan and it’s definitely not Niigata."

Andrew Phelps



Kraziu Portretas / Portrait of Kraziai
Mindaugas Kavaliauskas

In this book Mindaugas Kavaliauskas, a native LIthuanian, affectionately captures the changing life of Kraziai, an historic village in northwestern Lithuania.

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“Perhaps my favourite aspect of this book is the frank, energetic gaze of the Kraziai people themselves. Often pictured in the open air, they look relaxed and confident even when digging a grave or taking a family summer swim in a local pond. It seems as if every one of them is about to make a joke or remark something to the photographer. Even the older people are full of intelligence, life and humour."

Zoë Fargher



 
 

Somerset Stories: Fivepenny Dreams
Venetia Dearden

In her new photobook, Venetia Dearden explores the tough, vanishing ways of life of subsistence farmers and travelling communities in rural Somerset, in the west of England.

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"I journey home from Dreamers Farm through narrow lanes punctured by weathered gateways that offer breathtaking views through overgrown hedges. On rainy days you can cover great distances without seeing anyone. I grew up roaming for miles on horseback through these fields, woodlands and muddy bridle paths. Here I inherited a sense of freedom and possibility, and this personal photographic journey within the horizons of my homeland is testament to this spirit of Somerset."

Venetia Dearden

Beyond History
Vincent Delbrouck

Vincent Delbrouck's book, subtitled "poetic documentary versus dirty realism" is an odd, unsatisfying mixture of self-indulgence with a handful of decent photos.

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"Part photo scrapbook, part personal journal, Vincent Delbrouck (or V.D. as he's known) turns his camera on his life and loves in the Cuban city of Havana ... Intensely personal, [the book] combines snapshots with lengthy writings, brief commentary captions and poetry in French and Spanish. The result is a weird amalgam, and it's hard to know exactly where to place it."

Zoë Fargher / Jim Casper



Chaotic Harmony: Contemporary Korean Photography
MFA Houston / Santa Barbara Museum of Art

This book explores covers the work of 40 contemporary Korean photographers chosen to represent the current state of Korean art for large-scale exhibitions at The Museum of Fine Arts in Houston and the Santa Barbara Museum of Art.

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“Contemporary Korean photographic practice is distinguished by a highly charged subjectivity that asserts both the identity of the photographer and the singularity of the representation. Chaotic Harmony offers an enticing glimpse into the new century as it is perceived by Korean artists."

Larry J. Feinberg and
Peter C. Marzio



 
 

From Back Home
Anders Petersen and JH Engström

Anders Petersen and JH Engström were both born in the same remote province in Sweden, but generations apart. Together they revisted Värmland, and documented their experiences with two distinct photographic styles.

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"The book won the Author Book Award at Rencontres d’Arles 2009, and deservedly so … the relationships between these two photographers and this remote region is undeniably powerful and complex."

Marc Feustel

Dust Book
Aline Diépois and Thomas Gizolme

French photographers Aline Diépois and Thomas Gizolme have created a hybrid, bizarre and fun photobook — part travel journal, part scrapbook, plus a healthy dose of hallucinatory experiences from their road trip in the American West.

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"Dust Book is one of those wonderful genre-defying, hybrid-style books that arrives on the scene unexpectedly."

Jim Casper



Negatives are to be stored
Stefania Gurdowa / Jerzy Lewczynsky /
Darius Czaja

This book explores a series of extraordinary glass-negative portraits, from the recently rediscovered archive of little-known Polish photographer Stefania Gurdowa, who died in 1968. Her unnamed, unknown subjects of all ages look out at us like living history.

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“Looking at Stefania Gurdowa's glass negatives, what I feel is primarily joy. It is a joy that must be the similar to that of an archaeologist who unearths precious shells of pottery from the olden times."

Agnieszka Sabor



 
 

In Whose Name?
Abbas/Magnum

Abbas, a member of Magnum since 1981, takes us along with him on a journey among the believers. This journey started on September 11, 2001 when Abbas watched live on Siberian television the tragedy taking place thirteen time zones away. A year later, confronted with a giant cross erected on the ruins of the World Trade Center, he asked, "Does one form of religious intolerance lead to another?"

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"My relationship with God has always been of a professional nature, I have never been on first name terms with Him. It’s not so much God who engrosses me as other people’s perception of Him and the unacceptable things they do in His name."

Abbas


Rzeczy (Things)
Andrzej Kramarz

Polish photographer Andrzej Kramarz spent two-and-a-half years making pictures of eclectic collections and bizarre jumbles of objects he discovered at flea markets in Krakow. This book showcases his photographs, and explores the meaning of objects in our world.

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"What reigns here is a world which has passed on: either not so long ago (communism) or a few decades earlier (the war, the inter war years) It does not really matter where we place the border, beyond which we speak of 'the past', 'antiquity', or use terms such as 'out of date'. What is important is that these items belong to a warm and tangible 'today'."

Darius Czaja



We English
Simon Roberts

Simon Roberts travelled far and wide throughout his native England to capture contemporary photographs of his fellow countrymen and fabled landscapes. The results are poetic, stunningly beautiful, and sometimes quite humorous.

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“We English … began as a development of my Russian work, springing from my fascination with peoples' (and my own) sense of belonging, of memory, identity and place."

Simon Roberts



 
 

Boarding House
Roger Ballen

The semi-imaginary setting for the latest set of seductive, hallucinatory, nightmarish black-and-white photographs by Roger Ballen is called Boarding House. Rather than a tranquil oasis of temporary comfort for transient people, however, it seems more like a squalid squat inhabited by strange, deranged, desperate, destitute drifters, abandoned children and animals, and ghoulish creeps who are hiding out or
on the run.

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"Each photograph stands on its own, rewarding the careful reader with continual surprises (Is that an eyeball staring out from behind a tiny rip in that animal skin?)."

Jim Casper


Georgian Spring
A Magnum Journal

The concept of the book is that of a travel journal. Ten Magnum photographers visited Georgia during spring 2009, and the book treats us to their multi-perspective view of contemporary life in this former Soviet country. Each 20-page chapter is devoted to a single photographer's point of view, including "personal" journal reports of their impressions of Georgia.

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"After spending a few hours with this book, I feel like I would know what to expect if I were to visit Georgia — a naturally beautiful place, loaded with history and conflict and tradition — yet struggling with its cultural identity as it is moving fast-forward into a fully globalized, consumer-driven Western-style democracy."

Jim Casper



Studio
Paolo Roversi

Fashion and celebrity photographer Paolo Roversi has published a romantic photobook of some of his favorite images, plus some personal shots from inside his studio.

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“Studio is like a love song to photography itself — and the magic that happens in a photo studio and in the darkroom. This luscious oversized book beautifully captures the rich elegance of Roversi’s images of fashion models, young nudes, and the minimal trappings of the artist’s studio itself."

Jim Casper



 
 

not Natasha
Dana Popa

In this slim photobook, Romanian photographer Dana Popa documents the plight of sex slaves from Eastern Europe. She worked principally in London and in the Republic of Moldova, the poorest country in Europe, and a major source of illegal sex slaves for the whole continent.

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"It’s a vicious circle that generates a lot of money. It keeps the business running and the girls in captivity. Every day they are raped, fisted, bent backwards, pissed on, badly beaten up. They never receive money from the client or the pimp. They are not allowed to contact anybody."

Dana Popa


Fotografías Mínimas
Leandro Piñeiro

Argentine photographer Leandro Piñeiro has been making street photography in downtown Buenos Aires since 2002.

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"Giving value to small encounters and chance sightings, we view [Buenos Aires] in passing fragments; moments of intimacy seen through a café window, a confused figure in front of an internet café, feet traversing a worn crosswalk or people immersed in quiet contemplation."

Kate Stanworth



Silent Nests
Vicki Topaz

American photographer Vicki Topaz documents a little known quirk in French architectural and cultural history: elaborately designed pigeon houses (called pigeonniers or columbiers in French) built for status-conscious aristocrats from the 14th century up until the French Revolution.

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“In addition to discovering these last remaining examples of a specific architectural and cultural history, I was intrigued by the power of light, of sun, and that compulsion we have about chasing light. My years of photographing pigeonniers was a quiet journey. I let this project take a good four years of my life, coming and going, waiting, looking, photographing."

Vicki Topaz



 
 

Soul and Soul 1969–1999
Kiyoshi Suzuki

The book Soul and Soul, published by Noorderlicht's Aurora Borealis, recreates (partly) the original dummy of the book Soul and Soul that was self-published in 1972 by the Japanese photographer, Kiyoshi Suzuki. Suzuki was part of the 60's generation of photographers who explored the visual capabilities of the book medium to their extremes.

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"Soul and Soul is a courageous book: the work of Suzuki was without doubt far ahead of its time, and it is a privilege to see a dummy, a work in progress, by one of the photographic masters of our time."

Marc Prüst


Strangely Familiar
Michal Chelbin

This book by Israeli photographer Michal Chelbin, published by Aperture in 2008, reveals a disquieting view of daily life for the children and adults in various small, traveling performance groups.

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"Michal Chelbin chooses subjects straight out of our myths and fairytales: acrobats, ballet dancers, dwarves and athletes. But the people who appear in this beautiful photobook are far from the enchanted, sequin-spangled stars of our imagination – these are hard-working performers from small towns, little-known troupes, and marginalized communities."

Zoë Fargher



Zidlicky 1970–2007
Vladimir Zidlicky

This new, beautifully printed book celebrates a 30-year retrospective of the dream-like artwork of Czech photographer Vladimir Zidlicky.

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“Zidlicky’s art is dream-like (some are like nightmares), erotic and surreal. He creates a unique and oddly compelling mixture of the celebration of the naked human form, and meditations on decay, destruction, and loss of personal identity."

Jim Casper



 
 

Asakusa Portraits
Hiroh Kikai

The concept of this fantastic photobook is simple yet disciplined: Over the course of more than 20 years, Hiroh Kikai made hundreds of portraits of eccentric strangers who happened to be walking past a temple wall where the photographer likes to hang out in this small tourist town near Tokyo. He waits patiently for several hours at a time. Some days he makes one or two portraits. Other days, no portraits at all.

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"Asakusa Portraits by Hiroh Kikai is my absolute favorite photobook from 2008."

Jim Casper


The Quiets
Timo Kelaranta

Timo Kelaranta has inspired at least two or three generations of photographers since he first began teaching photography at the influential University of Art & Design in Helsinki (Taik) in the mid-1970s. His latest little masterpiece, The Quiets, is small in size, and as the title suggests, quiet. But each image is magical and potent, like a visual haiku.

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"Instead of addressing the subject alone, my photographs partly operate in the area of language, with its own laws. I apply my knowledge of the properties of the photograph in the most diverse ways possible. It is my goal that the figurateive element gives way to permit the ascendancy of the immaterial and interpretable."

Timo Kelaranta



Hong Kong Reminiscence 1958
Shigeichi Nagano

Nagano (b.1925) is one of Japan's most prolific documentary photographers. Since the end of World War II he has photographed all across Japan, and the streets of Tokyo, his adopted home, have been his greatest muse. This book reveals a lesser-known series that he took on his first overseas trip to Hong Kong in 1958.

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“This collection of visual fragments reveal a Hong Kong which has all but disappeared and they are a timely reminder of just how sharp Nagano’s photographic gaze has been for over sixty years."

Marc Feustel



 
 

The Transparent City
Michael Wolf

This beautiful book combines architectural abstraction with high-tech voyeurism. Michael Wolf captures both of these aspects nearly perfectly in his recent photographic study of downtown Chicago. Someone described this work as “Hopper meets Blade Runner,” and I might add a third reference: Hitchcock’s Rear Window.

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"While it has been more common for photographers to glorify Chicago’s unique architecture and environmental context, Wolf depicts the city more abstractly, focusing less on individual well-known structures and more on the contradictions of architectural styles when visually flattened in a photograph. Unlike the impermeable windows in his Hong Kong pictures, his photographs of Chicago look through the multiple layers of glass to reveal the social constructs of living and working in an urban environment."

Natasha Egan

2nd: The Face of Defeat
Sandy Nicholson

Sandy Nicholson documents the competitors who are forgotten about and under-celebrated – the second-place finishers. Nicholson visited a range of fierce Canadian competitions, including the Air Guitar Finals, the Dance Sport Championships, rodeos, a spelling bee, a hamburger-eating contest and The Pillow Fight League. Each event draws an expected slice of a specific subculture.

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"There was no way in hell I could lose if I ran up the wall and broke a beer bottle over my head. In my mind I had won, to me it was done. The guy announced the winner, and he said the other dude's name. I was sure I had won, but sometimes the bloodiest guy doesn't win. "

Cole Manson (Johnny Uta),
2nd, Air Guitar Finals,
Sneeky Dees Club, Toronto


Love Me Turkmenistan
Nicolas Righetti

Dictators are often megalomaniacs who obsessively build up “cults of personality” to make them seem larger than life, omnipresent, and god-like. Nicholas Righetti’s photobook, Love Me Turkmenistan, takes a serious/playful look at the ubiquitous shrines of propaganda (and other absurdities) erected throughout Turkmenistan to glorify the evil and demented President for Life, Saparmurat Niyazov.

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“My people love me so much that I cannot sleep."

Saparmurat Niyazov,
self-proclaimed President for Life of Turkmenistan


 
 

Heavy Light:
Recent Photography and Video from Japan

Christopher Phillips and Noriko Fuku

Based on a major exhibition at the International Center of Photography, this book explores the inventive imagery and unconventional sensibilities that characterize recent photo-based art in Japan. Heavy Light features works by 13 Japanese artists, all of them currently living in Japan.

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"One of the other great things about this collection is the chatty interview with each photographer. In addition to being able to see an overview of their work, we get to know the personality and ambition of each photographer through this conversational exchange."

Hilary Moss

Street Portraits
Michael Itkoff

Photographer Michael Itkoff traveled through cities around the world, and when he found a richly complex location, he and his assistant waited for the right stranger to walk onto the set. Each of the subjects agreed to be photographed on the spot, as they were, with just a plain white card held behind their heads, as a simple framing device.

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"By making the artifice of portraiture explicitly visible, [Itkoff] critically transforms his work by subverting both the pretenses of the white backdrop and the unadorned, yet equally stylized, contemporary street portrait."

Bill Kouwenhoven


Family Games
Diane Ducruet

In this brilliant new photobook, French photographer Diane Ducruet has broken free of all the usual formulas and has come up with a thought-provoking series of staged portraits that play with the ideas of family dynamics, identity, control, influence, postures of power, and more. The work becomes a kaleidoscope of subtext.

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“. . . Conventions immunise us against poetry. . . Diane therefore took her time, to ensure that her photographs never lie around on mantelpieces or bedside tables. In them we find neither dates nor birthdays. We see father and mother as their cats see them, very close up and rather obscene, unfettered from stories and bound in their bodies. . ."

Manou


 
 

What Still Remains
Jessica Backhaus

Backhaus takes photographs of left-behind objects and rooms devoid of people, lending significance to things usually cleared away or overlooked. Although What Still Remains shows no people, each image is alive with the lingering energy of those who have left the scene as it is.

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"Backhaus sees the everyday with an artistic eye. . . She manages to create a composition and a muted color palette out of random items, shadows and puddles. She picks details and meticulously frames the shots, centering on just enough information to incite the viewer's imagination. "

Hilary Moss

Dogs Can't Read
Daniel Milnor

As a personal side-project, Daniel Milnor found himself photographing dogs in the streets of many of the exotic cities where he was sent on assignment. The result is a series of self-published books of dogs (and graffiti) from Palermo, Tijuana, Paris and New York.

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"Palermo has a street dog issue, a big one, and the city is filled with loose dogs, a motley mix of species that has to be seen to be appreciated. In addition, there are many other non-wild dogs out for walks and runs with their owners. So, I began by snapping canines and the craziness that goes along with the dog world. Before I knew it, I had adopted a new theme for my personal work."

Daniel Milnor


Seeing Mexico Photographed:
The Work of Horne, Casasola, Modotti and Alvarez Bravo

Leonard Folgarait

This is more of an academic history book than a photobook. The author explores iconic photographs from the early 20th century that seemed to define a national identity for post-Revolution Mexico.

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“Photographs are quotations of time, edits out of the historical whole, seeming to picture events only. I want to suggest that they also picture conditions. How the Revolution changed from an event of some precise duration to a condition, an image, of infinite historical extension, is strongly related to the behavior of photography."

Leonard Folgarait


 
 

CDG / JHE
JH Engström

An elegant and puzzling photobook, that in the final analysis, achieves one key objective for any photobook: to insist that the reader engage in a questioning inner dialogue, trying to make sense of what the author has assembled so deliberately.

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"Everything is obscured by grey smog — indeed it is the uniformity of the carbon-exhaust “look” that holds these photos together as a series and forces us to try to recognize a pattern and logic and meaning in this work. The fact that there is absolutely no text at all in the book to introduce or explain this series of photos makes it even more of a mystery for the reader to decipher."

Jim Casper

Portraits of Power
Richard Avedon

Richard Avedon had access to practically everyone who held some kind of power from the 1950s through the beginning of the 21st century in America.This new book brings these portraits of power together for the first time.

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"Juxtaposing images of elite government, media, and labor officials with photographs of counterculture activists, writers and artists, this book explores five-decades of politics and power by one of America’s best-known portrait photographers. . . Portraits of Power is an excellent companion volume to any of the earlier books focusing on Avedon’s fashion photographs and commercial work."

Jim Casper


Library of Dust
David Maisel

David Maisel’s photographs of nearly 110 funereal copper canisters are a mineralogical delight. Bearded with a frost of subsidiary elements, their surfaces are now layered, phosphorescent, transformed. Unsettled archipelagos of mineral growths bloom like tumors from the sides and bottoms. — Geoff Manaugh

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“The pictures are strikingly beautiful, and yet we don’t want to be seduced by their colors, their biomorphic forms, their striking clarity. These are, after all, photographs of death, of the failure of remembrance and of the persistence of the unclaimed."

Michael Roth


 
 

Being in Pictures
Joanne Leonard

Leonard's roles as feminist artist, academic, single mom, identical twin, and daughter of an Alzheimer's patient all play a part in her work. The book is arranged in wonderful groupings of photographs, collages and montages, all enlivened with short, articulate prose that interweaves a personal life story with the art.

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"More than the gripping autobiography of a feminist, a mother, an artist, and a witness to the tumultuous events of the last half-century, and more than a record of Joanne Leonard's innovative and brilliant career as a photographer, Being in Pictures opens for us, in the words of Leonard's most famous work, 'windows of vulnerability.' This moving book, with its remarkably beautiful and disturbing photographs, draws us into the most intimate and revealing moments of the creative process."

Marianne Hirsch

Daily Pilgrims
Virgilio Ferreira

City dwellers are portrayed as blurry, anonymous ephemeral phantoms photographed against backdrops of sparkling cityscapes of towering steel and glass and multicolored glowing lights. To make this series, Portuguese photographer Virgilio Ferreira traveled and photographed in six Asian cities in 2006, capturing the changing territory and behavior. This is a limited edition artists' book.

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"In an intuitive and random way, as I walk through the streets I let myself be attracted by lights, colors, scenes, and anonymous people who cross my way and whom I invite to pose. The portraits are made very quickly, but, in a rigorous and selective approach, I try to relate the person and the background. As focus and lack of focus create tension, the unfocused faces turn into fleeting masks."

Virgilio Ferreira


Noch mal leben vor dem Tod
Walter Schels and Beate Lakotta

Few experiences are likely to affect us as profoundly as an encounter with death. Yet most deaths occur almost covertly, at one remove from our everyday lives.This book contains images of terminally ill people before and immediately after their deaths. Although this book is currently only available in German, it's beautifully printed and important work.

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“No one asks me how I feel. Because they’re all shit scared. I find it really upsetting the way they desperately avoid the subject, talking about all sorts of other things. Don’t they get it? I’m going to die! That’s all I think about, every second when I’m on my own."

Heiner Schmitz


 
 

Till the Cows Come Home
Dan Nelken

Nelken documents a fading pastime in New York state: the county fair. Using available light, he captures the folks, animals and events that create farm culture. He depicts the complexities of the seemingly-simple American farmer, who has lost relevancy with the increase in factory farming. Nelken's photography touches the untouched pockets of thriving agrarian Americana, showing the realities of a "Best in Show" lifestyle.

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"This series is one of those rare bodies of work that combines a surface ease of viewing with a passionate depth of character....Look deeper, past their record of faces and animals and through their delightful wit, and you will be moved by the spirit of these participants and the complexity of the seemingly simple events in which they are engaged."

Roy Flukinger

Serial No. 3817131
Rachel Papo

At eighteen years old, Israeli teenage girls leave behind the frivolties of youth to enter the Israel Defense Forces, a mandatory, two-year military commitment. Fifteen years after the end of her own service, Papo returns to several Israeli bases to photograph soldiers approaching womanhood against the background of a regimented and masculine war environment. She finds the individuality of each soldier while reconnecting with her own experience.

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"Rather than portraying the soldier as heroic, confident, or proud, Papo’s photographs reveal the soldier and the teenage girl in constant negotiation, caught between two extremes: a soldier who lives on an army base surrounded by hundreds just like her, but underneath her uniform, there is an individual who wishes to be noticed."

powerHouse Books


Higley
Andrew Phelps

Phelps travels to Higley, Arizona to bear witness to the developing suburban sprawl that defines most metropolitan areas. He captures family photos, tumbleweed, dilapidated kitchens, new constructions and church services. His work encapsulates a town that for some, has little to offer, but that for others, holds the promise of the American Dream.

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“Andrew Phelps' photographs of Higley, Arizona...make me want to go out into the world. Stripped of the usual tendency toward cynical sensationalism, Phelps' pictures depict Higley with a mixture of clarity and affection. After looking at this remarkable book, I feel like going outside to chat with my neighbour.”

Alec Soth


 
 

The Roma Journeys
Joakim Eskildsen and Cia Rinne

An in-depth insider’s perspective of the daily lives of Roma Gypsies who live in communities in seven very different countries. We are able to soak up the visual richness of the Roma’s personal surroundings and unique ways of living while they adapt to (and resist) the influence of the dominant cultures of Hungary, India, Greece, Romania, France, Russia and Finland.

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"Throughout their history, the Roma have been subjected to persecution, expulsions across Europe, slavery in Romania, prohibition on the use of the Romany language, and other creative attempts to misuse, assimilate or extinguish their people. Many Roma still have to deal with discrimination on various levels, and in all European countries, the general attitude towards them is at least suspicious."

Book Introduction

Saul Leiter
Photos by Saul Leiter

Saul Leiter, a successful fashion photographer in the 1950s and 60s, was also an avid shooter of quirky street photography. His black-and-white photos of the 40s-50s-60s began to be celebrated in the mid 1970s, but it was only in the 1990s that he began to look back at his remarkable color work (slides stored away in boxes) and started to make prints. His sense of color and densely compressed urban life represents a truly unique vision of those times. This book offers a wonderful overview of this recently discovered work.

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"I spent a great deal of my life being ignored. I was always very happy that way. Being ignored is a great privilege. That is how I think I learnt to see what others do not see and to react to situations differently. I simply looked at the world, not really prepared for anything."

Saul Leiter


The Mother of All Journeys
Dinu Li

Photographer Dinu Li re-traces the steps of his mother's life as she moved from China to Hong Kong to England. This family history is told through a deft mixture of old family photos, oral history, and new photos of the places that were significant in her past, but shown as they are today.

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“This is much more than a book of random family scrapbook images. This is a deliberate re-construction of one immigrant’s personal history — and a meditation on the interplay of photography, time, distance, and memory.”

Colleen Leonard


 
 

A Short History of Photography
Harvey Benge
with text by Gerry Badger

The photo books of Harvey Benge are always thought-provoking, fun and challenging. His new book, "A Short History of Photography" is no exception. The cover is like a visual poem, invoking the names of 40 of today's most famous photographers. But when you understand the premise of the book, it brings to mind some questions we all face. Is this work original? Is it unconscious influence or something more intentional? Can you trademark a "style" in photography?

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"This may be a game, but games can be very serious, and this fascinating book is both a serious and light-hearted exploration of photographic style."

Gerry Badger

Eyes of an Island:
Japanese Photography 1945-2007

Marc Feustel

This book traces the evolution of Japanese photography since the end of World War II. It charts three stages of development of Japanese photography: from post-war documentary bearing witness to the destruction of war; turning inward to personal and subjective interpretations of the rapid changes in Japanese society; to a contemporary movement which consistently pushes the boundaries of the photographic medium.

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"What is Japan? This question has been at the core of the remarkable evolution of Japanese photography over the past 50 years... Perhaps more than any other, Japanese photography has consistently engaged with social and political realities, seeking new ways to contribute to modern Japan’s search for identity."

Marc Feustel


Paris-New York-Shanghai
Hans Eijkelboom

Here is even more proof that the differences in exotic cultures have already been conquered and eliminated by globalization — at least in three large cities on three different continents. Dutch photographer Hans Eijkelboom has documented the sameness of fashion and trends and every-day urban living in 21st century Paris, New York, and Shanghai.

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“I can see sixty photographs of men in striped shirts; turn again, and I see an army of seventy-two men in suits marching to work; turn again, and a panorama of empty civic spaces. What are we being told? That this is a small world after all? Is this a Family of Man on a minimal grid?”

Tony Godfrey


 
 

Slide Show
Helen Levitt

Helen Levitt is one of the true pioneers of capturing the theater of the street. She earned her reputation with black-and-white photos of New Yorkers in the 1930s and '40s. But this book reveals her genius as a color photographer, as well. Forty of these color photos were shown as a slide show at the New York Museum of Modern Art in 1974 — one of the first times photographs were formally displayed this way in a museum, and one of the first exhibitions of serious color photography anywhere in the world (just prior to the arrival of Eggleston).

full review

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"At least a dozen of Helen Levitt’s photographs seem to me as beautiful, perceptive, satisfying, and enduring as any lyrical work that I know."

James Agee

On the Beach
Richard Misrach

This is one of those exquisitely printed, oversized photo books that takes you out of yourself and out of your own immediate environment, and allows you to experience the weightless free-flying giddiness of a dreamlike vacation.

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"I was drawn to the fragility and grace of the human figure in the landscape... Paradise has become an uneasy dwelling place; the sublime sea frames our vulnerability, the precarious nature of life itself."

Richard Misrach, in his afterword


Drift
Wolfgang Zurborn

These photographs have a wry sense of humor, and a kind of Zen amazement at what we can find right in front of our eyes. Drift is like that famously simple saying by Garry Winogrand. To paraphrase: Photography is about the way things look when they are photographed. I think Zurborn drifts through our modern cluttered environment with an alert eye, and chooses his visual collisions very well.

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“'Drift' means an awareness that at any time it is possible to stray off course, that distraction factors must be coped with, and that – in the long run – crucial cross currents, without any further intervention, can lead you into an unforeseen somewhere-else.”

Peter V. Brinkemper


 
 

Welcome to Pyongyang
Charlie Crane

Promoted as a "tourist's guide" to North Korea, Charlie Crane’s portraits, interiors and landscapes of Pyongyang, the capital city, are perfectly bleak and honest. The chatty caption text for each photo is verbatim propaganda as told by the city’s official tourist guides. The combination provides a chilling look at how the nation wants to be seen by outsiders.

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"Many photographers sneak into North Korea and take interesting photos, albeit ones that look very familiar. This is not surprising, as tourists are given very limited access. But the great thing about Charlie Crane’s images is that they are done with the full consent of both the authorities and the subjects. They are very calm and poignant, and a most refreshing take on this strange isolated country."

Martin Parr

Satellites
Jonas Bendiksen

This remarkable book delivers a personal eye-witness account (with incredible color photos and poignant text) of several of the outlying areas of the former Soviet Union. Bendiksen's insightful and often sadly humorous text refers to them as "half-forgotten enclaves and restless territories." And the breadth of photographs, taken over 7 years of exploration, drive that message home.

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"Ambient light is an important part of this story for Bendiksen, who possesses a poetic and contemporary style... As he travels this forlorn road, the light seemingly encases the war-torn buildings and the weary faces of his subjects... The sadness is inescapable."

Adam Goldman, Associated Press


Intimate Enemy
Scott Straus and Robert Lyons

The book's subtitle is Images and Voices of the Rwandan Genocide. Formal portraits (by Robert Lyons) of confessed murders, collaborators, and some of the surviving victims are reproduced here, one per page, without identification, at first. So, we are forced to study these faces — did they commit genocide, or are they traumatized victims who witnessed it and suffered great loss? Co-author Straus interviewed dozens of the murderers to try to understand what happened. Transcriptions of the interviews reveal human nature at its weakest and most honest.

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“This publication is a major contribution both to the study of the Rwandan genocide and to the larger study of human nature under pressure.”

Gerald Caplan


 
 

Motherland
Simon Roberts

Roberts and his wife traveled throughout Russia between July 2004 and July 2005, making pictures in over 200 locations and creating one of the most extensive, comprehensive photographic accounts of this vast country by a Westerner. They covered over 75,000 kilometers across 11 time zones. He talks about their discoveries and adventures inside contemporary Russia in an audio interview in Lens Culture.

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"I wanted to counter some of the photographic representations of Russia that focus on collapse and deterioration... without sidestepping the realities of daily Russian life."

Simon Roberts
In his Afterword

Buried
Stephen Gill

Witty, whimsical and serious at the same time, Stephen Gill made photos of the people and surroundings at a transient flea market just outside London. After he printed the photographs, he buried them underground near the locations he had photographed. The results are muddied, marred, beautiful, and thought-provoking.

full review

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"Not knowing what an image would look like once it was dug up introduced an element of chance and surprise which I found appealing. This feeling of letting go and collaborating with place — allowing it also to work in putting the finishing touches to a picture — felt fair. Maybe the spirit of the place can also make its mark."

Stephen Gill


Chernobyl: The Hidden Legacy
Pierpaolo Mittica

This book's compelling combination of powerful images and well-written text drives home the continuing, ongoing horror in the aftermath of a nuclear accident that happened 21 years ago. Its well-documented research and personal reporting present a convincing and unforgettable argument against nuclear energy. It brings to mind the work of Lewis Hine, Dorothea Lange, and Sebastio Salgado. It's an important message.

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“Chernobyl is the story of an inheritance that too many have tried to hide... The pursuit of civil and military programs imposes upon the assembly of nations a tacit complicity that goes beyond ideological or economic conflicts.”

From the back cover notes


 
 

The Photobook: A History, Volume 2
Martin Parr and Gerry Badger

This second volume categorizes contemporary photo books into company photo books, artists' photo books, editors’ compilations (rather than photographers), art photo books, American and European photo books, “New Objective” books, and finally, those chronicling “Modern Life”.

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"While some of the books are obscure and fun to learn about, it’s disappointing sometimes and down right confounding to see what Badger and Parr selected."

Ken Light
Photography professor, UC Berkeley

The "Ultimate" List of Japanese Photobooks
Ferdinand Brueggemann

This is not a review of a single book. It is a compilation of 64 significant photobooks by Japanese photographers. It began as a blog entry by the author, who is an art historian. Since his first posting, the list has grown and continues to grow.

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"Lists of "essential" Japanese photobooks, culled from several important compilations have missed some of best. Here we fill in some obvious gaps, but realize that the "definitive" list will continue to grow as more experts step forward, and other small masterpieces are discovered."

Ferdinand Brueggemann


The Chain.
Photographs by Chien-Chi Chang
Text by Cheryl Lai

700 psychiatric patients live chained together in pairs, and are forced to tend more than one million chickens at the largest chicken farm in Taiwan. Portraits of the players in this real yet surreal drama were photographed with kindness, respect and compassion by Magnum photographer Chien-Chi Chang.

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“In 1970 Li Kun-Tai, an abbot in Kaohsiung, Taiwan, adopted a schizophrenic as his disciple, and began to raise pigs and chickens with his new helper, whom he kept on a line of string, much like a leash. Within 20 years, [he] had 600 deranged helpers...”

From the publisher's notes

 

 
 

Figure and Ground
by Richard Renaldi

Richard Renaldi reveals faces and places of America in the 21st century, as he travels around the country with his 8 x 10 view camera. The environmental context seems key to these photos. When viewed as they are presented in Renaldi’s aptly-named book, we are able to soak up the details of these moments in America, and feel how real they are.

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"Sometimes we expose something deeper and more probing in our quiet moments. I like the idea of stopping and looking at someone and them looking back — almost, if you will, 'the stare'. The 8 x 10 lends itself to those expressions as well since it is not a rapid process...."

Richard Renaldi
From the interview for Lens Culture

Made in Italy
by 5 photographers, 4 writers

Beyond the realm of media censors and glossy tour guides, Trolley Books has published a brutal condemnation of contemporary life in Italy. This is part photobook and part philosophical rant, including contributions from five award-winning Italian photographers, and four philosopher commentators. It's a book filled with anger, confusion, sadness and rage. And beauty, too.

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"The reportage featured in these pages is an attempt to read the anthropological change of the Italians through images, details, faces, scenes of decadence, taking in the rich and affluent cultural side-shows, the deprived wastelands of the Italian city suburbs, even the television studios where power rituals are celebrated."

Curzio Maltese
In his essay, "The Italian Decline"


reGeneration: 50 Photographers of Tomorrow
Catalog of young photographers

In this highly subjective collection, it seems like there is nothing new under the sun, it’s all be done, it is all derivative. Page after page we are treated to technically proficient photographs (crisp, colorful, evenly lit) that are completely lacking in soul and ideas.

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“...Confirming the fail-safe eye candy of large size, color and expert printing, the show suggests that all photography is essentially surreal: beautiful, disturbing, invasive and more or less contrived...”

Roberta Smith
in The New York Times

 

 
 

Life in Death
by Eva Persson

"Life in Death" transports you to a very small village named Death (Kuolema) in Finland, and introduces you, in an intimate way, to the people who live there and have lived there all of their lives. Through the seasons of dark grey winters and bright flower-filled summers, the power of the photograph conveys more than words ever could.

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"In Kuolema live two identical twin sisters who are married to two brothers. They all live together in a house. Half of the house is their home and the other half is a grocery store where the sisters work. The brothers work in the family’s gravel company. They have a child per family born within seven weeks of each other..."

Eva Persson
From the introduction to the book

A Couple Ways of Doing Something
by Chuck Close

For this project, Close teamed up with daguerreotype expert Jerry Spagnoli to photograph many of his familiar artist-friends. The old-world daguerreotypes are then converted into super-sharp beautiful large modern prints with high-resolution digital scans, matte black and silver inks. Nineteenth century meets 21st century, with some 1950s-style beat poetry by Bob Holman thrown into the mix.

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"The portraits hold you in their gaze. Emerging from pitch black darkness, they shimmer silvery and glowing, looming large and hazy except for a sliver of very sharp, shallow focus: perhaps only the glint of one telling eye, and a patch of shining detailed porous skin. They sear you. "

Jim Casper
Editor of Lens Culture


William Christenberry
by William Christenberry

William Christenberry documents vernacular architecture and signs from the southern United States year after year, to show the deterioration and changes brought about by time and nature and human intervention. The sequencing of images in this beautiful book allows you the shock of recognition at the passing of 20-plus years of time, year by year, of some of the same subject matter.

full review — with audio commentary by the photographer

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"It is the genius of William Christenberry to stir up intensely evocative emotions and meanings from common, even humble, pieces of the world.”

Howard N. Fox
Curator of modern and contemporary art, Los Angeles County Museum of Art

 

 
 

Portraits
by Ingar Krauss

With his black-and-white portraits of children and teenagers in Germany and Russia, Ingar Krauss reveals quietly intense moments of transformation and the emotional turmoil just below the surface of life’s thresholds. His young subjects seem to have knowledge and wisdom beyond their years. They have already seen too much, and the innocence lost is painfully etched into each of these images.

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"I am especially interested in those children who already have a biography — orphans or criminal children. They have already a story to tell. They seem to be responsible in a way which is not childlike. They stand all alone and in their expression there is often a deep psychological intensity, a deep longing or a deep reserve."

Ingar Krauss
Interview in Lens Culture

China
by Edward Burtynsky

From 2002 to 2005, Edward Burtynsky was granted unprecedented access to photograph inside China with a large format camera. His new book delivers a visual report on many aspects of contemporary China. In an exclusive audio interview for Lens Culture, he talks about his experiences there, and his fears for China and the world.

full review

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"Even sympathetic critics have wondered, with some reason, whether his overwhelmingly haptic images are critiques of landscape degradation and the costs of technological fetishism, or merely glossy celebrations. Is he a crusader for sustainability or an unwitting purveyor of eco-porn?"

Mark Kingwell
From one of the many excellent essays in the book.


Unseen UK: Photographs
by people at the Royal Mail

edited by Stephen Gill

In this age when many photographers strive to capture the mundane, the banal, the everyday reality of our existence, it's like a breath of fresh air to come upon these truly delightful photos of ordinary day-in-the-life experiences taken by the men and women who deliver the mail throughout Great Britain. This project offered the free use of disposable cameras to every member of the Royal Mail. Hundreds accepted the offer, and as a result, we are able to view an everyday England unlike the stereotypes that fill our media-fed consciousness.

full review

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"The images here have been created for a number of reasons. Sometimes they feel like a bit of a complaint, or a sigh of joy at the simple beauty of something. Even if - in some cases - the chosen images are technically a little weak, or out of focus, the content has outweighed these flaws."

Stephen Gill
as quoted in the introduction to the book

 

Bordello
Photographs by Vee Speers, text by Karl Lagerfeld

The romantic decadence of Paris nightlife in the 1920s and 30s (eternalized most famously, perhaps, by the photographs of Brassai) comes to life afresh in this series of sensuous photos shot on location in former bordellos where the lavish decors have survived intact. Vee Speers, an Australian fine-art photographer who has lived near the infamous Rue St. Denis red-light district in Paris for 14 years, has created edgy photos that play with seduction, sensuality and femininity.

full review

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"She shows beauty where beauty can be terribly absent"

Karl Lagerfeld
From the Foreword to Bordello

Killing Time in Paradise
by Harvey Benge

American Beat Poet, Allen Ginsberg said, “Shakespeare suggests that, as Buddha does, the interesting thing to discover is that consciousness is discontinuous. It’s not a continuous stream of consciousness where one thought follows another thought. There’s a gap in between and we really don’t know where the thoughts come from or how they link… so we have the notion of Surprise Mind, because we never know what we’ll be thinking in one minute. It will rise on its own so the mind is a complete surprise… You don’t have to go further in order to create a work of art.”

full review

Quotes
"I believe it is in this vein of open-minded creativity that photographer Harvey Benge has captured images from his world travels, juxtaposed them in a delightful discontinuous sequence, and created his latest book for readers to ponder and enjoy."

Jim Casper
Lens Culture

Jeff Cowen
by Jeff Cowen

This 128-page monograph presents an overview of the early years of this talented photographer. The prints are beautiful, but distressed. Tone seeps beyond the rough edges of the frame, the paper is folded, ripped, taped back together. Images are torn apart, reconstructed with other images, taped together, photographed and printed again. Seductive, threatening nudes look out of the photos directly into your eyes. There are moments of melancholy, horror, tenderness, beauty, perversion, intellectual meditation.

full review

Quotes
"The darkroom is a place where I paint and collage, where I can bring out the interior world of the image... it has a vitality of its own. I can feel the hand of the photographer in it. No print can ever be the same."

Jeff Cowen
The artist talking about his process



Années de Guerre
by Christine Spengler

Since the early 1970s, Christine Spengler has photographed wars — Northern Ireland, Beirut, Vietnam, Cambodia, Iraq, Afghanistan, Iran, and more. She shows the gritty reality of the victims of war, but with none of the usual cliches. She reports from a woman's point-of-view, and delivers haunting, unforgettable images of women and children trying to live in the midst of madness.

full review

Quotes
"She shows us children clowning and playing with glee in the midst of the horrors of war. A bride in her white wedding gown, laughing giddily in front of a demolished building... A young mother holding her baby in one arm and a machine gun in the other, her eyes wary."

Jim Casper
Lens Culture

Afterwar: Veterans from a World in Conflict
by Lori Grinker

This is a fifteen-year project documenting the physical and psychological wounds of frontline war veterans from World War I to the war in Iraq. With support from magazine assignments and grants, Lori began seeking out veterans’ stories around the world — from Eritrea to El Salvador, from Pakistan to Russia — a journey that eventually took her to over thirty countries. One unifying concept comes through loud and clear: These victims' lives are forever changed no matter if their "side" won or lost.

full review

Quotes
“We watch the reports from the front on television as if it were a spectator sport. But they suffer for us. They are our sacrificial lambs. Through this project, I hope their images and words will serve as a powerful reminder of the wastefulness of war.”

Lori Grinker
The artist in an interview

DL 07: stereotypes of war
Photographs by Jens Liebchen, text by Ian Jeffrey

Liebchen has constructed a series of untitled black-and-white photos of a city under siege– menacing helicopters buzzing abandoned buildings, furtive figures scrambling down deserted streets, smoke-filled skylines, blood-stained walls and sidewalks, too-young children armed with machine guns… Yet he took all of these photos in a city (Tirana, Albania) while it was at peace.

full review

Quotes
"There is ... more involved here than the analysis of a genre. Liebchen’s is, in actuality, deconstructive work, for not only does he present the elements in the practice of “war photography” but at the same time he gives an account, by implication, of their developments... Mostly, [today's] wars have local dimensions incomprehensible to an outsider… The photographic reporter is of necessity in these conditions a transient, principally a nervous traveler in unreliable streets.”

Ian Jeffrey
from the text written for the book



Landscape with Figures
by Massimo Vitali

Vitali sets up his custom-made perch 20 to 30 feet in the air, frames the landscape background he plans to capture with his 8 x 10 or 11 x 14 camera, and then waits for the landscape to fill up with people and their individual dramas. When the moment is right — when the field is filled with complexity and a multitude of interactions — he releases the shutter.

full review

Quotes
"When looking carefully at these prints, you are confronted with hundreds of candid “portraits” and overall sociologically-rich documents. The guilty pleasures of voyeurism are heightened by the large scale and intricate detail. Your eyes are drawn from one situation to the next, and your imagination begins to create little stories to explain these random frozen moments."

Jim Casper
Lens Culture

William Klein Retrospective
by William Klein

A beautifully printed, large-format retrospective book is available only in a French version. And like many retrospective works, with a desire to give a sense of "everything" Klein has accomplished to date, it pales in comparison to rich narrative flow of the early original photo books Klein designed and made himself: New York, Rome, Moscow and Tokyo.

full review

Quotes
"Klein's photographs of twenty years ago were perhaps the most uncompromising of their time. They were the boldest and superficially the most scrofulous — the most distanced from the accepted standards of formal quality .... They really extend what life can look like in pictures. They enlarge the vocabulary."

John Szarkowski
The New York Museum of Modern Art, 1980

Mona Kuhn Photographs
by Mona Kuhn

Mona Kuhn's photographs of groups of beautiful nudists lounging around in apparent lazy luxury have sparked international interest. An attractively printed book including both color and black-and-white work demonstrates her talent for composition, selective focus, and capturing a certain kind of impossible hedonism.

full review

Quotes
"I shoot both in color and black-and white. I like the depth of black-and-white, and I sometimes feel the color is — even if you see the art in it, and it is fluid — it may be too candy-like."

Mona Kuhn
From the audio interview for Lens Culture



 

Diary Nr 1
by Mischa Keijser

Mischa Keijser is a professional photographer living and working in The Netherlands. He recently self-published a very handsome limited edition book of personal photos as a visual meditation on death, falling in love, and the birth of his first child. In between are moments of majesty in local Dutch landscapes, and meditations on the treatment of animals and the environment in modern society.

full review

Quotes
Personal, handmade photo books like this are, in many ways, an ideal way to experience the work of fine photographers. The printing is excellent, and the editing and flow create a direct intimate experience that allow the reader to get to know the sensibility and vision of an artist.

Jim Casper
Lens Culture

ma poupée japonaise
by Mario A

Obviously in love with Japanese aesthetics, and obsessed with the perfection of surfaces, this series of work, taken over the period of a full year, is a meditation on the formal beauty of women, especially Japanese women. What is disturbing about these images is that we realize these are real, living women, who appear to be dolls — a twist on the work of Hans Bellmer.

full review

Quotes
"I always wanted to create a Japanese woman doll which I can look at in 'the night porter' picturesque way. I wanted the work to address dualities like attraction-repulsion, reality-unreality, and hypertrophied feminity-icon fixation."

Mario A
The artist in an interview with Lens Culture

Boris Mikhailov: A Retrospective
by Boris Mikhailov,with essays by several scholars

For more than 40 years, Boris Mikhailov has used photography to document and come to grips with the turmoil of life under the Soviets, and after the Soviets. In this heavy-weight retrospective book, we are able to trace both Mikhailov’s personal history as well as the evolving photographic techniques he used in so many ways in his efforts to try to explain, document and understand the world around him.

full review

Quotes
"Though the series vary enormously in format, technique, and strategy, Mikhailov's interests in the individual rather than the type, immediacy rather than distance, and the everyday rather than the ceremonial remain constant throughout, constituting a direct challenge to what Boris Groys might call ‘the Soviet promotion machine.’”

Larissa Harris
From one of several illuminating essays in the book


 
 

Mr. Mkhize's portrait & other stories from the new South Africa
by Adam Broomberg and Oliver Chanarin

It’s a deceptively simple photo book that engages the reader from the very first page. It’s a series of history lessons paired with portraits and brief up-to-the-minute real-life stories that explain many of the consequences of living in post-Apartheid South Africa.

full review

Quotes
"Mr. Mkhize has been photographed twice before in his life. The first time was for his Pass Book, which allowed the apartheid government to control his movements. The second was for his Identity Book, which allowed him to vote in the first democratic elections in 1994. Ten years later, we took his picture for no official reason."

Adam Broomberg and Oliver Chanarin
The opening sentences from the book

Sleeping by the Mississippi
by Alec Soth

Beds, brothels, prisons, quirky personal environments (and the individuals who inhabit them) are the subjects of an arresting series of photographs by Alec Soth featured in recent exhibitions and this new book.

full review

Quotes
"In the book's forty-six ruthlessly edited pictures, Soth alludes to illness, procreation, race, crime, learning, art, music, death, religion, redemption, politics, and cheap sex."

Anne Wilkes Tucker
Houston Museum of Fine Arts


Alexey Titarenko
by Alexey Titarenko, with text by Gabriel Bauret

Titarenko chronicles his personal vision of his hometown, St. Petersburg, from the early 1990s (just after the fall of the Soviet Union) to the present. His long-exposure photographs, often made of moving masses of people, are imbued with a down-trodden moodiness reminiscent of the stories of Dostoyevsky. They document a time of change, yet hope is a rare commodity, and the people blur into grey shadow figures in a ghost-like crowd, with perhaps a solitary hand or shoe standing still in time.

full review

Quotes
"Some elements of Titarenko's imagery are sharp, while others seem blurred, and at times seem to exist outside of logic... Characters in motion become transparent, so that the space in which they are moving appears almost empty."

Gabriel Bauret
The University of Paris


 

Rene Burri Photographs
by René Burri

This career retrospective of over 400 duotone photographs is a history book of the major political events and key personalities of the 20th century seen through the eyes of one photographer. Burri, a Magnum photographer, is one of the most influential photographers of our time. In 21 thematically organized chapters, we accompany Burri across Europe to the Middle East, Vietnam, Brazil, Cuba and beyond; we visit Picasso, Le Corbusier, Yves Klein and Giacometti in their studios; we witness political figures such as Che Guevara in repose, and Fidel Castro at the helm. The book begins with an introduction that describes the history, politics and artistic influences that have colored Burri’s work.

full review

Quotes
On digital photography: “It’s fantastic, but it’s not a freebie for anything. You still have to have this (he points to his eyes), and this (points to his heart), and feet.”

René Burri
In an audio interview for Lens Culture

Temporary Discomfort: Jules Spinatsch
by Jules Spinatsch with essay by Martin Jaeggi

Temporary Discomfort is artist Jules Spinatsch's documentation of three cities in a transitory state of emergency lock-down during two global economic summits (WEF and G8). It combines different photographical genres: landscape photography of the site, photojournalism, and police photography, but with the camera lens turned, atypically, on the security forces. Spinatsch's new approach to documentary photography is theorized here by essayist Martin Jaeggi and presented through beautiful photographs with strong political undertones.

full review

Quotes
"Its playful variety of perspectives, its cunning, irony and sober clarity make Temporary Discomfort an manifesto against the tradition of heroic photojournalism."

Martin Jaeggi
In an essay from the book

Photography Speaks: 150 Photographers on their Art
by Brooks Johnson (Editor)

A favorite with photographers and requisite course material for many students, the discourse on art and artistry contained in this volume is of unprecedented scale, collecting the writing of such diverse photographers as William Henry Fox Talbot, Eugène Atget, Alfred Stieglitz, Lewis Hine, August Sander, Man Ray, Weegee, Robert Frank, Diane Arbus, Robert Heinecken, and Lucas Samaras.The contributors expound on topics such as their method and intentions, the state of the arts, or the medium itself. Photography Speaks has been and will continue to be a vital reference source, an enduring testament to the art of photography and an engrossing text for artists and enthusiasts alike.

full review

Quotes
"I photograph to see what things look like photographed."

Garry Winogrand
A brief excerpt that says a lot




Copyright © 2007 Lens Culture and individual contributors. All rights reserved.