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Being in Pictures
Joanne Leonard

Leonard's roles as feminist artist, academic, single mom, identical twin, and daughter of an Alzheimer's patient all play a part in her work. The book is arranged in wonderful groupings of photographs, collages and montages, all enlivened with short, articulate prose that interweaves a personal life story with the art.

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"More than the gripping autobiography of a feminist, a mother, an artist, and a witness to the tumultuous events of the last half-century, and more than a record of Joanne Leonard's innovative and brilliant career as a photographer, Being in Pictures opens for us, in the words of Leonard's most famous work, 'windows of vulnerability.' This moving book, with its remarkably beautiful and disturbing photographs, draws us into the most intimate and revealing moments of the creative process."

Marianne Hirsch

Daily Pilgrims
Virgilio Ferreira

City dwellers are portrayed as blurry, anonymous ephemeral phantoms photographed against backdrops of sparkling cityscapes of towering steel and glass and multicolored glowing lights. To make this series, Portuguese photographer Virgilio Ferreira traveled and photographed in six Asian cities in 2006, capturing the changing territory and behavior. This is a limited edition artists' book.

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"In an intuitive and random way, as I walk through the streets I let myself be attracted by lights, colors, scenes, and anonymous people who cross my way and whom I invite to pose. The portraits are made very quickly, but, in a rigorous and selective approach, I try to relate the person and the background. As focus and lack of focus create tension, the unfocused faces turn into fleeting masks."

Virgilio Ferreira


Noch mal leben vor dem Tod
Walter Schels and Beate Lakotta

Few experiences are likely to affect us as profoundly as an encounter with death. Yet most deaths occur almost covertly, at one remove from our everyday lives.This book contains images of terminally ill people before and immediately after their deaths. Although this book is currently only available in German, it's beautifully printed and important work.

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“No one asks me how I feel. Because they’re all shit scared. I find it really upsetting the way they desperately avoid the subject, talking about all sorts of other things. Don’t they get it? I’m going to die! That’s all I think about, every second when I’m on my own."

Heiner Schmitz


 
 

Till the Cows Come Home
Dan Nelken

Nelken documents a fading pastime in New York state: the county fair. Using available light, he captures the folks, animals and events that create farm culture. He depicts the complexities of the seemingly-simple American farmer, who has lost relevancy with the increase in factory farming. Nelken's photography touches the untouched pockets of thriving agrarian Americana, showing the realities of a "Best in Show" lifestyle.

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"This series is one of those rare bodies of work that combines a surface ease of viewing with a passionate depth of character....Look deeper, past their record of faces and animals and through their delightful wit, and you will be moved by the spirit of these participants and the complexity of the seemingly simple events in which they are engaged."

Roy Flukinger

Serial No. 3817131
Rachel Papo

At eighteen years old, Israeli teenage girls leave behind the frivolties of youth to enter the Israel Defense Forces, a mandatory, two-year military commitment. Fifteen years after the end of her own service, Papo returns to several Israeli bases to photograph soldiers approaching womanhood against the background of a regimented and masculine war environment. She finds the individuality of each soldier while reconnecting with her own experience.

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"Rather than portraying the soldier as heroic, confident, or proud, Papo’s photographs reveal the soldier and the teenage girl in constant negotiation, caught between two extremes: a soldier who lives on an army base surrounded by hundreds just like her, but underneath her uniform, there is an individual who wishes to be noticed."

powerHouse Books


Higley
Andrew Phelps

Phelps travels to Higley, Arizona to bear witness to the developing suburban sprawl that defines most metropolitan areas. He captures family photos, tumbleweed, dilapidated kitchens, new constructions and church services. His work encapsulates a town that for some, has little to offer, but that for others, holds the promise of the American Dream.

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“Andrew Phelps' photographs of Higley, Arizona...make me want to go out into the world. Stripped of the usual tendency toward cynical sensationalism, Phelps' pictures depict Higley with a mixture of clarity and affection. After looking at this remarkable book, I feel like going outside to chat with my neighbour.”

Alec Soth


 
 

The Roma Journeys
Joakim Eskildsen and Cia Rinne

An in-depth insider’s perspective of the daily lives of Roma Gypsies who live in communities in seven very different countries. We are able to soak up the visual richness of the Roma’s personal surroundings and unique ways of living while they adapt to (and resist) the influence of the dominant cultures of Hungary, India, Greece, Romania, France, Russia and Finland.

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"Throughout their history, the Roma have been subjected to persecution, expulsions across Europe, slavery in Romania, prohibition on the use of the Romany language, and other creative attempts to misuse, assimilate or extinguish their people. Many Roma still have to deal with discrimination on various levels, and in all European countries, the general attitude towards them is at least suspicious."

Book Introduction

Saul Leiter
Photos by Saul Leiter

Saul Leiter, a successful fashion photographer in the 1950s and 60s, was also an avid shooter of quirky street photography. His black-and-white photos of the 40s-50s-60s began to be celebrated in the mid 1970s, but it was only in the 1990s that he began to look back at his remarkable color work (slides stored away in boxes) and started to make prints. His sense of color and densely compressed urban life represents a truly unique vision of those times. This book offers a wonderful overview of this recently discovered work.

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"I spent a great deal of my life being ignored. I was always very happy that way. Being ignored is a great privilege. That is how I think I learnt to see what others do not see and to react to situations differently. I simply looked at the world, not really prepared for anything."

Saul Leiter


The Mother of All Journeys
Dinu Li

Photographer Dinu Li re-traces the steps of his mother's life as she moved from China to Hong Kong to England. This family history is told through a deft mixture of old family photos, oral history, and new photos of the places that were significant in her past, but shown as they are today.

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“This is much more than a book of random family scrapbook images. This is a deliberate re-construction of one immigrant’s personal history — and a meditation on the interplay of photography, time, distance, and memory.”

Colleen Leonard


 
 

A Short History of Photography
Harvey Benge
with text by Gerry Badger

The photo books of Harvey Benge are always thought-provoking, fun and challenging. His new book, "A Short History of Photography" is no exception. The cover is like a visual poem, invoking the names of 40 of today's most famous photographers. But when you understand the premise of the book, it brings to mind some questions we all face. Is this work original? Is it unconscious influence or something more intentional? Can you trademark a "style" in photography?

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"This may be a game, but games can be very serious, and this fascinating book is both a serious and light-hearted exploration of photographic style."

Gerry Badger

Eyes of an Island:
Japanese Photography 1945-2007

Marc Feustel

This book traces the evolution of Japanese photography since the end of World War II. It charts three stages of development of Japanese photography: from post-war documentary bearing witness to the destruction of war; turning inward to personal and subjective interpretations of the rapid changes in Japanese society; to a contemporary movement which consistently pushes the boundaries of the photographic medium.

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"What is Japan? This question has been at the core of the remarkable evolution of Japanese photography over the past 50 years... Perhaps more than any other, Japanese photography has consistently engaged with social and political realities, seeking new ways to contribute to modern Japan’s search for identity."

Marc Feustel


Paris-New York-Shanghai
Hans Eijkelboom

Here is even more proof that the differences in exotic cultures have already been conquered and eliminated by globalization — at least in three large cities on three different continents. Dutch photographer Hans Eijkelboom has documented the sameness of fashion and trends and every-day urban living in 21st century Paris, New York, and Shanghai.

full review

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“I can see sixty photographs of men in striped shirts; turn again, and I see an army of seventy-two men in suits marching to work; turn again, and a panorama of empty civic spaces. What are we being told? That this is a small world after all? Is this a Family of Man on a minimal grid?”

Tony Godfrey


 
 

Slide Show
Helen Levitt

Helen Levitt is one of the true pioneers of capturing the theater of the street. She earned her reputation with black-and-white photos of New Yorkers in the 1930s and '40s. But this book reveals her genius as a color photographer, as well. Forty of these color photos were shown as a slide show at the New York Museum of Modern Art in 1974 — one of the first times photographs were formally displayed this way in a museum, and one of the first exhibitions of serious color photography anywhere in the world (just prior to the arrival of Eggleston).

full review

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"At least a dozen of Helen Levitt’s photographs seem to me as beautiful, perceptive, satisfying, and enduring as any lyrical work that I know."

James Agee

On the Beach
Richard Misrach

This is one of those exquisitely printed, oversized photo books that takes you out of yourself and out of your own immediate environment, and allows you to experience the weightless free-flying giddiness of a dreamlike vacation.

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"I was drawn to the fragility and grace of the human figure in the landscape... Paradise has become an uneasy dwelling place; the sublime sea frames our vulnerability, the precarious nature of life itself."

Richard Misrach, in his afterword


Drift
Wolfgang Zurborn

These photographs have a wry sense of humor, and a kind of Zen amazement at what we can find right in front of our eyes. Drift is like that famously simple saying by Garry Winogrand. To paraphrase: Photography is about the way things look when they are photographed. I think Zurborn drifts through our modern cluttered environment with an alert eye, and chooses his visual collisions very well.

full review

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“'Drift' means an awareness that at any time it is possible to stray off course, that distraction factors must be coped with, and that – in the long run – crucial cross currents, without any further intervention, can lead you into an unforeseen somewhere-else.”

Peter V. Brinkemper


 
 

Welcome to Pyongyang
Charlie Crane

Promoted as a "tourist's guide" to North Korea, Charlie Crane’s portraits, interiors and landscapes of Pyongyang, the capital city, are perfectly bleak and honest. The chatty caption text for each photo is verbatim propaganda as told by the city’s official tourist guides. The combination provides a chilling look at how the nation wants to be seen by outsiders.

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"Many photographers sneak into North Korea and take interesting photos, albeit ones that look very familiar. This is not surprising, as tourists are given very limited access. But the great thing about Charlie Crane’s images is that they are done with the full consent of both the authorities and the subjects. They are very calm and poignant, and a most refreshing take on this strange isolated country."

Martin Parr

Satellites
Jonas Bendiksen

This remarkable book delivers a personal eye-witness account (with incredible color photos and poignant text) of several of the outlying areas of the former Soviet Union. Bendiksen's insightful and often sadly humorous text refers to them as "half-forgotten enclaves and restless territories." And the breadth of photographs, taken over 7 years of exploration, drive that message home.

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"Ambient light is an important part of this story for Bendiksen, who possesses a poetic and contemporary style... As he travels this forlorn road, the light seemingly encases the war-torn buildings and the weary faces of his subjects... The sadness is inescapable."

Adam Goldman, Associated Press


Intimate Enemy
Scott Straus and Robert Lyons

The book's subtitle is Images and Voices of the Rwandan Genocide. Formal portraits (by Robert Lyons) of confessed murders, collaborators, and some of the surviving victims are reproduced here, one per page, without identification, at first. So, we are forced to study these faces — did they commit genocide, or are they traumatized victims who witnessed it and suffered great loss? Co-author Straus interviewed dozens of the murderers to try to understand what happened. Transcriptions of the interviews reveal human nature at its weakest and most honest.

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“This publication is a major contribution both to the study of the Rwandan genocide and to the larger study of human nature under pressure.”

Gerald Caplan


 
 

Motherland
Simon Roberts

Roberts and his wife traveled throughout Russia between July 2004 and July 2005, making pictures in over 200 locations and creating one of the most extensive, comprehensive photographic accounts of this vast country by a Westerner. They covered over 75,000 kilometers across 11 time zones. He talks about their discoveries and adventures inside contemporary Russia in an audio interview in Lens Culture.

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"I wanted to counter some of the photographic representations of Russia that focus on collapse and deterioration... without sidestepping the realities of daily Russian life."

Simon Roberts
In his Afterword

Buried
Stephen Gill

Witty, whimsical and serious at the same time, Stephen Gill made photos of the people and surroundings at a transient flea market just outside London. After he printed the photographs, he buried them underground near the locations he had photographed. The results are muddied, marred, beautiful, and thought-provoking.

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"Not knowing what an image would look like once it was dug up introduced an element of chance and surprise which I found appealing. This feeling of letting go and collaborating with place — allowing it also to work in putting the finishing touches to a picture — felt fair. Maybe the spirit of the place can also make its mark."

Stephen Gill


Chernobyl: The Hidden Legacy
Pierpaolo Mittica

This book's compelling combination of powerful images and well-written text drives home the continuing, ongoing horror in the aftermath of a nuclear accident that happened 21 years ago. Its well-documented research and personal reporting present a convincing and unforgettable argument against nuclear energy. It brings to mind the work of Lewis Hine, Dorothea Lange, and Sebastio Salgado. It's an important message.

full review

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“Chernobyl is the story of an inheritance that too many have tried to hide... The pursuit of civil and military programs imposes upon the assembly of nations a tacit complicity that goes beyond ideological or economic conflicts.”

From the back cover notes


 
 

The Photobook: A History, Volume 2
Martin Parr and Gerry Badger

This second volume categorizes contemporary photo books into company photo books, artists' photo books, editors’ compilations (rather than photographers), art photo books, American and European photo books, “New Objective” books, and finally, those chronicling “Modern Life”.

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"While some of the books are obscure and fun to learn about, it’s disappointing sometimes and down right confounding to see what Badger and Parr selected."

Ken Light
Photography professor, UC Berkeley

The "Ultimate" List of Japanese Photobooks
Ferdinand Brueggemann

This is not a review of a single book. It is a compilation of 64 significant photobooks by Japanese photographers. It began as a blog entry by the author, who is an art historian. Since his first posting, the list has grown and continues to grow.

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"Lists of "essential" Japanese photobooks, culled from several important compilations have missed some of best. Here we fill in some obvious gaps, but realize that the "definitive" list will continue to grow as more experts step forward, and other small masterpieces are discovered."

Ferdinand Brueggemann


The Chain.
Photographs by Chien-Chi Chang
Text by Cheryl Lai

700 psychiatric patients live chained together in pairs, and are forced to tend more than one million chickens at the largest chicken farm in Taiwan. Portraits of the players in this real yet surreal drama were photographed with kindness, respect and compassion by Magnum photographer Chien-Chi Chang.

full review

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“In 1970 Li Kun-Tai, an abbot in Kaohsiung, Taiwan, adopted a schizophrenic as his disciple, and began to raise pigs and chickens with his new helper, whom he kept on a line of string, much like a leash. Within 20 years, [he] had 600 deranged helpers...”

From the publisher's notes

 

 
 

Figure and Ground
by Richard Renaldi

Richard Renaldi reveals faces and places of America in the 21st century, as he travels around the country with his 8 x 10 view camera. The environmental context seems key to these photos. When viewed as they are presented in Renaldi’s aptly-named book, we are able to soak up the details of these moments in America, and feel how real they are.

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"Sometimes we expose something deeper and more probing in our quiet moments. I like the idea of stopping and looking at someone and them looking back — almost, if you will, 'the stare'. The 8 x 10 lends itself to those expressions as well since it is not a rapid process...."

Richard Renaldi
From the interview for Lens Culture

Made in Italy
by 5 photographers, 4 writers

Beyond the realm of media censors and glossy tour guides, Trolley Books has published a brutal condemnation of contemporary life in Italy. This is part photobook and part philosophical rant, including contributions from five award-winning Italian photographers, and four philosopher commentators. It's a book filled with anger, confusion, sadness and rage. And beauty, too.

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"The reportage featured in these pages is an attempt to read the anthropological change of the Italians through images, details, faces, scenes of decadence, taking in the rich and affluent cultural side-shows, the deprived wastelands of the Italian city suburbs, even the television studios where power rituals are celebrated."

Curzio Maltese
In his essay, "The Italian Decline"


reGeneration: 50 Photographers of Tomorrow
Catalog of young photographers

In this highly subjective collection, it seems like there is nothing new under the sun, it’s all be done, it is all derivative. Page after page we are treated to technically proficient photographs (crisp, colorful, evenly lit) that are completely lacking in soul and ideas.

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“...Confirming the fail-safe eye candy of large size, color and expert printing, the show suggests that all photography is essentially surreal: beautiful, disturbing, invasive and more or less contrived...”

Roberta Smith
in The New York Times

 

 
 

Life in Death
by Eva Persson

"Life in Death" transports you to a very small village named Death (Kuolema) in Finland, and introduces you, in an intimate way, to the people who live there and have lived there all of their lives. Through the seasons of dark grey winters and bright flower-filled summers, the power of the photograph conveys more than words ever could.

full review

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"In Kuolema live two identical twin sisters who are married to two brothers. They all live together in a house. Half of the house is their home and the other half is a grocery store where the sisters work. The brothers work in the family’s gravel company. They have a child per family born within seven weeks of each other..."

Eva Persson
From the introduction to the book

A Couple Ways of Doing Something
by Chuck Close

For this project, Close teamed up with daguerreotype expert Jerry Spagnoli to photograph many of his familiar artist-friends. The old-world daguerreotypes are then converted into super-sharp beautiful large modern prints with high-resolution digital scans, matte black and silver inks. Nineteenth century meets 21st century, with some 1950s-style beat poetry by Bob Holman thrown into the mix.

full review

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"The portraits hold you in their gaze. Emerging from pitch black darkness, they shimmer silvery and glowing, looming large and hazy except for a sliver of very sharp, shallow focus: perhaps only the glint of one telling eye, and a patch of shining detailed porous skin. They sear you. "

Jim Casper
Editor of Lens Culture


William Christenberry
by William Christenberry

William Christenberry documents vernacular architecture and signs from the southern United States year after year, to show the deterioration and changes brought about by time and nature and human intervention. The sequencing of images in this beautiful book allows you the shock of recognition at the passing of 20-plus years of time, year by year, of some of the same subject matter.

full review — with audio commentary by the photographer

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"It is the genius of William Christenberry to stir up intensely evocative emotions and meanings from common, even humble, pieces of the world.”

Howard N. Fox
Curator of modern and contemporary art, Los Angeles County Museum of Art

 

 
 

Portraits
by Ingar Krauss

With his black-and-white portraits of children and teenagers in Germany and Russia, Ingar Krauss reveals quietly intense moments of transformation and the emotional turmoil just below the surface of life’s thresholds. His young subjects seem to have knowledge and wisdom beyond their years. They have already seen too much, and the innocence lost is painfully etched into each of these images.

full review

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"I am especially interested in those children who already have a biography — orphans or criminal children. They have already a story to tell. They seem to be responsible in a way which is not childlike. They stand all alone and in their expression there is often a deep psychological intensity, a deep longing or a deep reserve."

Ingar Krauss
Interview in Lens Culture

China
by Edward Burtynsky

From 2002 to 2005, Edward Burtynsky was granted unprecedented access to photograph inside China with a large format camera. His new book delivers a visual report on many aspects of contemporary China. In an exclusive audio interview for Lens Culture, he talks about his experiences there, and his fears for China and the world.

full review

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"Even sympathetic critics have wondered, with some reason, whether his overwhelmingly haptic images are critiques of landscape degradation and the costs of technological fetishism, or merely glossy celebrations. Is he a crusader for sustainability or an unwitting purveyor of eco-porn?"

Mark Kingwell
From one of the many excellent essays in the book.


Unseen UK: Photographs
by people at the Royal Mail

edited by Stephen Gill

In this age when many photographers strive to capture the mundane, the banal, the everyday reality of our existence, it's like a breath of fresh air to come upon these truly delightful photos of ordinary day-in-the-life experiences taken by the men and women who deliver the mail throughout Great Britain. This project offered the free use of disposable cameras to every member of the Royal Mail. Hundreds accepted the offer, and as a result, we are able to view an everyday England unlike the stereotypes that fill our media-fed consciousness.

full review

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"The images here have been created for a number of reasons. Sometimes they feel like a bit of a complaint, or a sigh of joy at the simple beauty of something. Even if - in some cases - the chosen images are technically a little weak, or out of focus, the content has outweighed these flaws."

Stephen Gill
as quoted in the introduction to the book

 

Bordello
Photographs by Vee Speers, text by Karl Lagerfeld

The romantic decadence of Paris nightlife in the 1920s and 30s (eternalized most famously, perhaps, by the photographs of Brassai) comes to life afresh in this series of sensuous photos shot on location in former bordellos where the lavish decors have survived intact. Vee Speers, an Australian fine-art photographer who has lived near the infamous Rue St. Denis red-light district in Paris for 14 years, has created edgy photos that play with seduction, sensuality and femininity.

full review

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"She shows beauty where beauty can be terribly absent"

Karl Lagerfeld
From the Foreword to Bordello

Killing Time in Paradise
by Harvey Benge

American Beat Poet, Allen Ginsberg said, “Shakespeare suggests that, as Buddha does, the interesting thing to discover is that consciousness is discontinuous. It’s not a continuous stream of consciousness where one thought follows another thought. There’s a gap in between and we really don’t know where the thoughts come from or how they link… so we have the notion of Surprise Mind, because we never know what we’ll be thinking in one minute. It will rise on its own so the mind is a complete surprise… You don’t have to go further in order to create a work of art.”

full review

Quotes
"I believe it is in this vein of open-minded creativity that photographer Harvey Benge has captured images from his world travels, juxtaposed them in a delightful discontinuous sequence, and created his latest book for readers to ponder and enjoy."

Jim Casper
Lens Culture

Jeff Cowen
by Jeff Cowen

This 128-page monograph presents an overview of the early years of this talented photographer. The prints are beautiful, but distressed. Tone seeps beyond the rough edges of the frame, the paper is folded, ripped, taped back together. Images are torn apart, reconstructed with other images, taped together, photographed and printed again. Seductive, threatening nudes look out of the photos directly into your eyes. There are moments of melancholy, horror, tenderness, beauty, perversion, intellectual meditation.

full review

Quotes
"The darkroom is a place where I paint and collage, where I can bring out the interior world of the image... it has a vitality of its own. I can feel the hand of the photographer in it. No print can ever be the same."

Jeff Cowen
The artist talking about his process



Années de Guerre
by Christine Spengler

Since the early 1970s, Christine Spengler has photographed wars — Northern Ireland, Beirut, Vietnam, Cambodia, Iraq, Afghanistan, Iran, and more. She shows the gritty reality of the victims of war, but with none of the usual cliches. She reports from a woman's point-of-view, and delivers haunting, unforgettable images of women and children trying to live in the midst of madness.

full review

Quotes
"She shows us children clowning and playing with glee in the midst of the horrors of war. A bride in her white wedding gown, laughing giddily in front of a demolished building... A young mother holding her baby in one arm and a machine gun in the other, her eyes wary."

Jim Casper
Lens Culture

Afterwar: Veterans from a World in Conflict
by Lori Grinker

This is a fifteen-year project documenting the physical and psychological wounds of frontline war veterans from World War I to the war in Iraq. With support from magazine assignments and grants, Lori began seeking out veterans’ stories around the world — from Eritrea to El Salvador, from Pakistan to Russia — a journey that eventually took her to over thirty countries. One unifying concept comes through loud and clear: These victims' lives are forever changed no matter if their "side" won or lost.

full review

Quotes
“We watch the reports from the front on television as if it were a spectator sport. But they suffer for us. They are our sacrificial lambs. Through this project, I hope their images and words will serve as a powerful reminder of the wastefulness of war.”

Lori Grinker
The artist in an interview

DL 07: stereotypes of war
Photographs by Jens Liebchen, text by Ian Jeffrey

Liebchen has constructed a series of untitled black-and-white photos of a city under siege– menacing helicopters buzzing abandoned buildings, furtive figures scrambling down deserted streets, smoke-filled skylines, blood-stained walls and sidewalks, too-young children armed with machine guns… Yet he took all of these photos in a city (Tirana, Albania) while it was at peace.

full review

Quotes
"There is ... more involved here than the analysis of a genre. Liebchen’s is, in actuality, deconstructive work, for not only does he present the elements in the practice of “war photography” but at the same time he gives an account, by implication, of their developments... Mostly, [today's] wars have local dimensions incomprehensible to an outsider… The photographic reporter is of necessity in these conditions a transient, principally a nervous traveler in unreliable streets.”

Ian Jeffrey
from the text written for the book



Landscape with Figures
by Massimo Vitali

Vitali sets up his custom-made perch 20 to 30 feet in the air, frames the landscape background he plans to capture with his 8 x 10 or 11 x 14 camera, and then waits for the landscape to fill up with people and their individual dramas. When the moment is right — when the field is filled with complexity and a multitude of interactions — he releases the shutter.

full review

Quotes
"When looking carefully at these prints, you are confronted with hundreds of candid “portraits” and overall sociologically-rich documents. The guilty pleasures of voyeurism are heightened by the large scale and intricate detail. Your eyes are drawn from one situation to the next, and your imagination begins to create little stories to explain these random frozen moments."

Jim Casper
Lens Culture

William Klein Retrospective
by William Klein

A beautifully printed, large-format retrospective book is available only in a French version. And like many retrospective works, with a desire to give a sense of "everything" Klein has accomplished to date, it pales in comparison to rich narrative flow of the early original photo books Klein designed and made himself: New York, Rome, Moscow and Tokyo.

full review

Quotes
"Klein's photographs of twenty years ago were perhaps the most uncompromising of their time. They were the boldest and superficially the most scrofulous — the most distanced from the accepted standards of formal quality .... They really extend what life can look like in pictures. They enlarge the vocabulary."

John Szarkowski
The New York Museum of Modern Art, 1980

Mona Kuhn Photographs
by Mona Kuhn

Mona Kuhn's photographs of groups of beautiful nudists lounging around in apparent lazy luxury have sparked international interest. An attractively printed book including both color and black-and-white work demonstrates her talent for composition, selective focus, and capturing a certain kind of impossible hedonism.

full review

Quotes
"I shoot both in color and black-and white. I like the depth of black-and-white, and I sometimes feel the color is — even if you see the art in it, and it is fluid — it may be too candy-like."

Mona Kuhn
From the audio interview for Lens Culture



 

Diary Nr 1
by Mischa Keijser

Mischa Keijser is a professional photographer living and working in The Netherlands. He recently self-published a very handsome limited edition book of personal photos as a visual meditation on death, falling in love, and the birth of his first child. In between are moments of majesty in local Dutch landscapes, and meditations on the treatment of animals and the environment in modern society.

full review

Quotes
Personal, handmade photo books like this are, in many ways, an ideal way to experience the work of fine photographers. The printing is excellent, and the editing and flow create a direct intimate experience that allow the reader to get to know the sensibility and vision of an artist.

Jim Casper
Lens Culture

ma poupée japonaise
by Mario A

Obviously in love with Japanese aesthetics, and obsessed with the perfection of surfaces, this series of work, taken over the period of a full year, is a meditation on the formal beauty of women, especially Japanese women. What is disturbing about these images is that we realize these are real, living women, who appear to be dolls — a twist on the work of Hans Bellmer.

full review

Quotes
"I always wanted to create a Japanese woman doll which I can look at in 'the night porter' picturesque way. I wanted the work to address dualities like attraction-repulsion, reality-unreality, and hypertrophied feminity-icon fixation."

Mario A
The artist in an interview with Lens Culture

Boris Mikhailov: A Retrospective
by Boris Mikhailov,with essays by several scholars

For more than 40 years, Boris Mikhailov has used photography to document and come to grips with the turmoil of life under the Soviets, and after the Soviets. In this heavy-weight retrospective book, we are able to trace both Mikhailov’s personal history as well as the evolving photographic techniques he used in so many ways in his efforts to try to explain, document and understand the world around him.

full review

Quotes
"Though the series vary enormously in format, technique, and strategy, Mikhailov's interests in the individual rather than the type, immediacy rather than distance, and the everyday rather than the ceremonial remain constant throughout, constituting a direct challenge to what Boris Groys might call ‘the Soviet promotion machine.’”

Larissa Harris
From one of several illuminating essays in the book


 
 

Mr. Mkhize's portrait & other stories from the new South Africa
by Adam Broomberg and Oliver Chanarin

It’s a deceptively simple photo book that engages the reader from the very first page. It’s a series of history lessons paired with portraits and brief up-to-the-minute real-life stories that explain many of the consequences of living in post-Apartheid South Africa.

full review

Quotes
"Mr. Mkhize has been photographed twice before in his life. The first time was for his Pass Book, which allowed the apartheid government to control his movements. The second was for his Identity Book, which allowed him to vote in the first democratic elections in 1994. Ten years later, we took his picture for no official reason."

Adam Broomberg and Oliver Chanarin
The opening sentences from the book

Sleeping by the Mississippi
by Alec Soth

Beds, brothels, prisons, quirky personal environments (and the individuals who inhabit them) are the subjects of an arresting series of photographs by Alec Soth featured in recent exhibitions and this new book.

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Quotes
"In the book's forty-six ruthlessly edited pictures, Soth alludes to illness, procreation, race, crime, learning, art, music, death, religion, redemption, politics, and cheap sex."

Anne Wilkes Tucker
Houston Museum of Fine Arts


Alexey Titarenko
by Alexey Titarenko, with text by Gabriel Bauret

Titarenko chronicles his personal vision of his hometown, St. Petersburg, from the early 1990s (just after the fall of the Soviet Union) to the present. His long-exposure photographs, often made of moving masses of people, are imbued with a down-trodden moodiness reminiscent of the stories of Dostoyevsky. They document a time of change, yet hope is a rare commodity, and the people blur into grey shadow figures in a ghost-like crowd, with perhaps a solitary hand or shoe standing still in time.

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Quotes
"Some elements of Titarenko's imagery are sharp, while others seem blurred, and at times seem to exist outside of logic... Characters in motion become transparent, so that the space in which they are moving appears almost empty."

Gabriel Bauret
The University of Paris


 

Rene Burri Photographs
by René Burri

This career retrospective of over 400 duotone photographs is a history book of the major political events and key personalities of the 20th century seen through the eyes of one photographer. Burri, a Magnum photographer, is one of the most influential photographers of our time. In 21 thematically organized chapters, we accompany Burri across Europe to the Middle East, Vietnam, Brazil, Cuba and beyond; we visit Picasso, Le Corbusier, Yves Klein and Giacometti in their studios; we witness political figures such as Che Guevara in repose, and Fidel Castro at the helm. The book begins with an introduction that describes the history, politics and artistic influences that have colored Burri’s work.

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Quotes
On digital photography: “It’s fantastic, but it’s not a freebie for anything. You still have to have this (he points to his eyes), and this (points to his heart), and feet.”

René Burri
In an audio interview for Lens Culture

Temporary Discomfort: Jules Spinatsch
by Jules Spinatsch with essay by Martin Jaeggi

Temporary Discomfort is artist Jules Spinatsch's documentation of three cities in a transitory state of emergency lock-down during two global economic summits (WEF and G8). It combines different photographical genres: landscape photography of the site, photojournalism, and police photography, but with the camera lens turned, atypically, on the security forces. Spinatsch's new approach to documentary photography is theorized here by essayist Martin Jaeggi and presented through beautiful photographs with strong political undertones.

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Quotes
"Its playful variety of perspectives, its cunning, irony and sober clarity make Temporary Discomfort an manifesto against the tradition of heroic photojournalism."

Martin Jaeggi
In an essay from the book

Photography Speaks: 150 Photographers on their Art
by Brooks Johnson (Editor)

A favorite with photographers and requisite course material for many students, the discourse on art and artistry contained in this volume is of unprecedented scale, collecting the writing of such diverse photographers as William Henry Fox Talbot, Eugène Atget, Alfred Stieglitz, Lewis Hine, August Sander, Man Ray, Weegee, Robert Frank, Diane Arbus, Robert Heinecken, and Lucas Samaras.The contributors expound on topics such as their method and intentions, the state of the arts, or the medium itself. Photography Speaks has been and will continue to be a vital reference source, an enduring testament to the art of photography and an engrossing text for artists and enthusiasts alike.

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Quotes
"I photograph to see what things look like photographed."

Garry Winogrand
A brief excerpt that says a lot




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