Designed as a night walk in Seoul, the S-nights series focuses on the links between reality and fiction by creating cinematographic images from reality.
Isolating a part of reality or limiting it in a setting, it becomes a sensory experience coming from the collective imaginary, a picture simultaneously clear and fragmented, just like what remains of a movie or a story partially erased.
The decontextualization acts like a narrative factor, is vague as a memory and intertwines memory, cinematography and reality.